Re-read the program note for < You’re Happy, It’s Okay >. Replace the phrase "lovelorn young woman" with "pensive middle-aged woman" and remove the Tinder/love aspects. Then add in "gorgeous black-and-white cinematography" and "meditative voice-over narration", and you get this solemn, moody, dreamlike film which echoes the four previous films but veers towards spirituality and abstraction. (Sébastien Simon)